I was flicking through a magazine and looking at all the beautiful jewellery. I saw a bracelet by Adler with POA next to it. Everyone knows that's designer code for if you have to ask, you can't afford it but it was beautiful. I ripped the picture out and took it to show my teacher, Rebecca. 'Of course we can do that!' She said. She's so positive! So off I went to Cooksons and KernowCraft to buy lots of silver and gorgeous Iolite stones. These are a dark blue with hints of purple. In theory all I needed to do was make some rings, make some bezels, join them together, shape the bracelet, set the stones, polish and show off. In practice, I learnt exactly why the designer one was expensive. Mine isn't even half as intricate as the original and it's taken about 40 solid hours of lessons and I didn't count the bits I did at home.
With making the rings, I struggled to get them to solder or didnt solder them properly. This was due to me rushing and not making sure my ends joined up properly. Once I slowed down and did some square ends homework we saw some progression. Bezel issues were all down to sizes. A few were massive and a few were tiny so there was a bit of redoing there but then soldering them to sheet silver was a doddle!
With those made up I then had to join everything together. This was probably the most time consuming part. Once all the bits were in order I had to sand every place they touched so there was a flat surface for soldering. There was a lot of touch points and everything kept moving, so frustrating. Then it was time to begin soldering and finding out if I had sanded properly (no). I split the bracelet up into 5 smaller sections, soldered them then joined everything else up. I'm quite surprised I didn't melt anything at this point! I quite like the flat stage and in moments of madness I think about making another for a necklace...
From flat to round. I actually got Rebecca to do this because I was so scared bits would break and I would have to do even more soldering. She got a bracelet mandrel and pushed the flat stage round it and gave it a few taps with the raw hide mallet. I then had to do one last bit of soldering to join it into a circle, even though it would be a cuff. Cue lots of 'that's never going to fit on your wrist'. More hammering then I had to set the stones. The fun part of this was trying to remember which ones went with which bezel, I had numbered them originally so there was some sort of system. I just used a burnisher as I couldn't always get the bezel rocker at the settings, wire or another bezel got in the way. It made my thumbs hurt. 

Once these were set I sawed the temporary join, filed the edges and polished. Then put my bracelet on and said 'Oh my God my bracelet is finally finished wooooooooo!' which my class loved... Everyone came to look at its beauty and I felt like a bit of a celebrity! A lot of people wanted to check I hadn't done this before, that I'd definitely only had the autumn terms lessons. It looks really impressive but it is just rings and stone settings, the hardest thing was patience and perseverance when it wasn't going well or when I couldn't see it ever getting finished. It really has to be dedicated to the ladies I sit next to who brought me Custard Creams, laughed at me for trying to cover up or stop myself from swearing and who kept telling me it was all going to be worth it. If I ever attempt something like this again I have to remember that preparation and patience is key. Not to rush things because I want to get it finished ASAP, because that will only slow me down more. And to take a deep breath and count to at least 10!











